Last week, during Amsterdam Dance Event, 4DSOUND presented their system with artists like Vladislav Delay, Max Cooper, an evening with artists from the Raster Noton label, and various talks and workshops.
Looking like something which could’ve been next to the Philips Pavilion at the World’s Fair back in ‘58, the structure alone is already quite amazing, even before any sounds are heard. It is said it was inspired by Tesla, and it shows.
(photo by Georg Schroll)
The way the audience listened, with such pure focus, is rarely seen these days and got me thinking about what 4DSOUND does to the listening experience. The freedom to walk around, feel the resonating pillars, sit on the ground, etc. doesn’t distracts one from the listening experience, but rather keeps the audience focused in some way. The design is simple and transparent enough to not “dictate” a certain style.
I’ve visited the room for four different sets, all with very different feelings and ways the space was used. Furthermore the fact the pillars vibrate makes it wildly different than a wavefield-synthesis system, for example. More physical.
Could this be the future of active listening in a concert setting?