Mariska de Groot is a Dutch interdisciplinary artist who has been making and performing comprehensive analog light-to-sound instruments and installations for the last few years.
Just like Dewi de Vree, who we’ve featured before on this blog, she is a part of iii, an artist-run platform supporting radical interdisciplinary practices engaging with image, sound and the body in the Hague.
While having seen her performances and installations a few times, the thing that always amazes me is how the changes in the light caused by the spinning patterns are something that one can not really see with the naked eye, although they are very audible. A clear case of a situation where the ear manages to keep up in a better way than the eye does.
The way she explores the phenomenon is very interesting: in both a performative setting as well as installation settings, and everything in between. Sometimes the audience is allowed to interfere with the light patterns, sometimes it’s only Mariska playing the sounds.
For one of her latest projects called Vandmand, she collaborated with sound artist Lars Kynde (whose Tasteful Turntable we’ve featured before). Together, they researched notation and composed a piece for the Elsinore Girls Marching Band in Copenhagen. A sound/light composition for a big group of performers. A true spectacle in which the precision of a marching band definitely comes in handy.
She’ll be presenting a new version of her installation at the Birmingham Flatpack Festival next month!