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Entries in sound (12)

Tuesday
Nov252014

Everything Was Forever, Until It Was No More

Konrad Smoleński is an artist working in different fields, often collaborating with other artists and musicians. He works and lives in Warschau and Bern. His works are often big and sculptural, connected to sound or video.

His work “Everything Was Forever, Until It Was No More”, is a sculptural instrument written for two bronze bells, two walls of loudspeakers and resonating objects, in this case resonating lockers. The composition links the rich symbolic sound of the clocks to the abstract sound of reverb and resonating noise. By using delay and other effects, Smoleński creates a world wherein history comes to a standstill.

This installation is one of many which can be seen at Orkest! a group exhibition featuring works by Rutger Zuydervelt, Julian Sartorius, Oliver Beer, Rubén D’hers, Michael Schmid, and Nicolas Field. Orkest! can be seen from the 7th of december 2014 until the 6th of march 2015 at the Netwerk / centre for Contemporary art in Aalst, Belgium. We’ll feature some other works from this exhibition in the coming weeks.

Sunday
Nov232014

Volum in the Berliner Dom

Korinsky is a Berlin-based art collective using technologies and the knowledge about human hearing processes to create sound installations that play with the contrast of visual and acoustic impressions. We’ve seen them before here at EL, with their project 3845 m/s.

Their latest project is Volum. For this project, Korinsky worked together with a group of architecture students and professor Katrin Günther to explore the non-visual part of architecture. The students got to explore the way the Berliner Dom reacts to sounds, completely imprinting it’s architectonic qualities on the sounds in the dome. The absolutely amazing short documentary explains their work in the best way possible, so I won’t write too much about it.

Brilliant project. In an age where all disciplines seem to shift into each other, sound and architecture seem like two we’d really need to spend more time on. Like the narrator asks at the end of the short documentary:

“Next time you enter a building, think about it makes you feel. How does it affect you acoustically?”

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