Solid Vibration

According to Wikipedia, Archaeoacoustics is “the use of acoustical study as a methodological approach within archaeology”. As sound is fleeting, it is pretty logical that the aural isn’t the focus of archaeology. In recent years, there has been more attention to this, primarily in the field of acoustics, architecture and archaeology. There has been a lot of controversy around sound encoded in ancient artifacts, such as a pot or a vase with ornaments that can be “read” like a gramophone record. Back in 2006, Mythbusters found out that while some acoustic phenomena can be found on pottery, it’s highly unlikely that one would find pots or vases with sounds like voices encoded into them. I am not sure if Ricky van Broekhoven had this in mind when he thought up Solid Vibration, but it sure reminded me of it a whole lot!

Ricky van Broekhoven’s SoundShapeLab designs sound and music that “exceeds perception with merely our ears”. For Solid Vibration, he worked together with designer Olivier van Herpt. Using Olivier’s ceramic 3D printer and a speaker, they are able to influence the printing process with sound. By letting the pottery wheel vibrate with a speaker, the creation is influenced and the vibrations are made visible.

We’ve seen different ways of visualising sound in tangible objects before. Never before something one can actually use, though. I wonder if van Broekhoven’s thought of a way to turn them back into sound again!

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